You can turn off automatic color management in Final Cut Pro settings. None: Turn off color conversion for the selected clips (the clips retain their native color space). A value of 1000 nits is most commonly used for this conversion. ITU-R BT.2408, with peak luminance corresponding to the level you set in the Peak Brightness slider. This conversion uses the HLG inverse OOTF in accordance with Rep. This setting results in HLG clips that appear on HLG displays the way PQ clips would appear on a PQ reference display, assuming all displays have the same peak luminance. PQ to HLG: Apply this setting to HDR (PQ) clips in HDR (HLG) projects to convert the clips from PQ to HLG. This conversion uses the HLG reference OOTF in accordance with Rep. This setting results in PQ clips that appear on PQ displays the way HLG clips would appear on an HLG reference display, assuming all displays have the same peak luminance. HLG to PQ: Apply this setting to HDR (HLG) clips in HDR (PQ) projects to convert the clips from HLG to PQ. 709) projects to convert the clips to SDR luminance levels. HDR (PQ) to SDR: Apply this setting to HDR (PQ) clips in SDR (Rec. HDR (HLG) to SDR: Apply this setting to HDR (HLG) clips in SDR (Rec. To change the target PQ signal level, adjust the Peak Brightness slider. 709) clips in HDR (PQ) projects to map a 100% SDR white level to a 58% (203 nits) PQ signal level. SDR to HDR (PQ): Apply this setting to SDR (Rec. 709) clips in HDR (HLG) projects to map a 100% SDR white level to a 75% HLG signal level. SDR to 75% HDR (HLG): Apply this setting to SDR (Rec. 709) clips in HDR (HLG) projects to inverse tone map a 100% SDR white level up to a 100% HLG signal level. SDR to 100% HDR (HLG): Apply this setting to SDR (Rec. In the Color Conform section of the Video inspector, click the Type pop-up menu and choose Manual, then click the Conversion Type pop-up menu and choose an option: To open the Video inspector, choose Window > Show in Workspace > Inspector (or press Command-4), then click the Video button at the top of the inspector. In Final Cut Pro, select one or more clips in the timeline. Important: The Color Conform effect and the HDR Tools effect are additive, so you should use only one or the other on a clip. (In projects created in Final Cut Pro 10.6.3 or earlier, the Color Conform effect is set to None.) You can also convert a clip’s color space using the HDR Tools effect, which is a legacy effect included for backward compatibility with older projects. For example, you can set the Color Conform effect on a selected clip to None (off), or to a specific conversion, such as HDR (HLG) to SDR (for HLG clips that you add to an SDR project). You can also use the Color Conform effect to manually adjust how individual clips are conformed to the project’s color space. If you don’t want clips to be automatically converted to another color space when you add them to a project, you can turn off automatic color management in Final Cut Pro settings. To manage color space settings, Final Cut Pro applies a built-in Color Conform effect to each imported clip.īy default, Color Conform is set to Automatic, so that if you add a clip to a project that has a different color space setting, the clip’s color space is automatically converted to the project’s color space.
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